I grew up with seasons that shape the light, where long summer days and deep winter darkness quietly define how things feel. Light sets the frame. Mood is what gives it meaning.
Long before I wrote a single note, I lived inside film—on set and behind the camera—watching stories come together in real time, under real pressure. That experience still shapes everything I do. I don’t write music for films. I write music shaped by them.
Since 2015, I’ve composed for feature films, series, documentaries, commercials, and immersive experiences. From small, quiet moments to heightened cinematic tension, my focus is always the same: serve the story with precision, unafraid of silence, and intentional with every note.
My work moves freely across genres, shaped by a wide spectrum of scale, tone, and emotional detail, with room to go large when the story calls for it. I’m drawn to contrast, texture, and emotional precision—where restraint can be just as powerful as impact, and where less can do more when it’s right.
Sometimes the most important moment is the one that almost isn’t there.
I’m there when it matters.
I love the cinematic experience—whether in a theatre or at home. Scoring a feature is a long arc of craft and collaboration, where atmosphere and emotion have room to breathe.
Series work thrives on detail and continuity. I enjoy building a musical language that develops across episodes while staying consistent in tone, character, and narrative momentum.
The best commercial work goes beyond selling—it connects emotionally. When the concept is strong, there’s a sweet spot where art meets clarity, and the music can carry the message with precision.
Want to discuss a project?